Pottery Supplies
Let’s create something meaningful together.
A soft, pale turquoise studio glaze with a fresh, airy finish. Cooper Skies gives a gentle blue-green surface with subtle variation, breaking slightly paler over edges, rims and raised details.
Best suited to stoneware fired from cone 6–8. Results will vary depending on clay body, thickness of application, firing schedule and kiln position.
Supplied in a 500ml pot, ready for studio use. Stir well before applying.
A warm amber studio glaze with a glossy crackle surface and rich honeyed depth. Honey Amber Crackle can show golden, caramel and darker pooled tones, with the crackle pattern becoming more visible over texture, edges and thicker areas of application.
Best suited to stoneware fired from cone 6–8. Results will vary depending on clay body, thickness of application, firing schedule and kiln position.
Crackle glazes may not be suitable for food-contact surfaces unless properly tested. Supplied in a 500ml pot, ready for studio use. Stir well before applying.
Pictured over Porcelaine
A soft glossy blue studio glaze with a calm, delicate finish. Bluebell gives a light blue to blue-lilac surface, with gentle variation over texture, rims and throwing lines.
It also layers beautifully over Oil Spot Black, where it can develop deeper blue tones, added movement and more dramatic surface variation.
Best suited to stoneware fired from cone 6–8. Results will vary depending on clay body, thickness of application, firing schedule, layering and kiln position.
Supplied in a 500ml pot, ready for studio use. Stir well before applying.
A dark, glossy bronze-black studio glaze with rich metallic warmth and subtle blue-green undertones. Bronze Age gives a deep, atmospheric surface with iron-rich variation, amber edges and darker pooled areas, especially over curves, rims and textured forms.
Best suited to stoneware fired from cone 6–8. Results will vary depending on clay body, thickness of application, firing schedule and kiln position.
Supplied in a 500ml pot, ready for studio use. Stir well before applying.
A deep black studio glaze with a glossy, atmospheric finish. Oil Spot Black can produce subtle speckling, depth and variation across the surface, with richer effects where the glaze pools or catches texture.
It also creates spectacular and sometimes surprising effects when layered under other glazes, particularly Copper Skies, where it can add depth, movement and dramatic surface variation.
Best suited to stoneware fired from cone 6–8. Results will vary depending on clay body, thickness of application, firing schedule, layering and kiln position.
Supplied in a 500ml pot, ready for studio use. Stir well before applying.
A bold, glossy blue studio glaze with strong colour and natural movement. Sapphire Blue gives a bright, jewel-like finish and can show deeper tones where the glaze pools, especially on textured or thrown surfaces.
Best suited to stoneware fired from cone 6–8. Results will vary depending on clay body, thickness of application, firing schedule and kiln position.
Supplied in a 500ml pot, ready for studio use. Stir well before applying.
A vivid glossy pink-red studio glaze with a rich, jewel-like finish. Fuchsia gives strong colour with subtle variation, breaking slightly softer over rims, edges and raised details, while pooling into deeper berry tones where applied more thickly.
Best suited to stoneware fired from cone 6–8. Results will vary depending on clay body, thickness of application, firing schedule and kiln position.
Supplied in a 500ml pot, ready for studio use. Stir well before applying.
A rich blue-green studio glaze with depth, movement and coastal variation. Ancient Mariner can shift between teal, sea-blue and copper tones, especially over texture, carving and throwing lines.
Best suited to stoneware fired from cone 6–8. Results will vary depending on clay body, thickness of application, firing schedule and kiln position.
Supplied in a 500ml pot, ready for studio use. Stir well before applying.
A rich, glossy green studio glaze with depth, movement and natural variation. Emerald Green breaks darker and even blue where it pools and can show softer, lighter tones over texture, carving and throwing lines.
Best suited to stoneware fired from cone 6–8. Results will vary depending on clay body, thickness of application, firing schedule and kiln position.
Supplied in a 500ml pot, ready for studio use. Stir well before applying.
No results match your search. Try removing a few filters.